Reflections on Spielberg's World War II Two Very Different Sides of Same Stark Coin
What's old is new.
Steven Spielberg is unquestionably
one of the greatest directors of our time. But just
what makes his works so powerful Taking a look at
two of his most successful and stunning films, 'Schindler's
List' and '
Saving Private Ryan,' Spielberg uses the
grimmest of subjects to force us into examining our
world and our consciences.
'Schindler's List' was released in 1993, and went
on to win Academy Awards for both Best Picture and
Best Director. 'Saving Private Ryan,' released in
1998, captured another Best Director award for Spielberg.
There are many similarities, but the films are all
the more important for the striking differences between
them.
Both take place during World War II: 'Ryan' in 1944,
'Schindler' in 1939, and they each center on one
man's efforts to somehow make a difference in a hideous
war.
Both are told from the point of view of victims:
'Ryan' examines the U.S. soldiers who bravely fight
so they can one day go home; 'Schindler' concentrates
on the Jews who bravely die because they can't go
home - exiled, tortured and killed simply because
they exist.
Both
make effective use of close-ups and gorgeous cinematography.
Opening and closing scenes are filled with imagery
that remains in your mind long after the credits
fade. But it's at this point the films diverge.
Let's take a look, first at "Saving
Private Ryan" and what makes this film classic
Spielberg fare, and then at "Schindler's List," a
harrowing glimpse at the dark night of the soul.
'Saving Private Ryan' - Giving Voice to U.S. Vets
The action in 'Ryan' starts on D-Day, June 6, 1944.
American soldiers are approaching Omaha Beach,
one of the five landing sites of the Normandy Invasion.
The beach is a killing zone, and the troops are
all but slaughtered. The battle scene is intensely
graphic, gruesome and realistically portrayed.
The shots of soldiers being mutilated and massacred
are lasting impressions that are difficult to watch.
Occasionally, the action is viewed through a blood-spattered
camera lens, a "you-are-there" touch
of realism.
Once the survivors make it back, they are tasked
with finding Private James Ryan, a soldier whose
three brothers have all been killed in combat. Spielberg
takes what could have degenerated into dry military
propaganda and humanizes it through the eyes of Tom
Hanks' Captain John Miller.
War is hell, especially when you are asked to put
eight lives on the line to save one. Miller can justify
losing men for the greater good, but has trouble
coming to terms with the merits of his latest mission.
He keeps his company together by being a man of integrity,
eventually inspiring heroism even in the most cowardly
of men. All the while, Miller keeps focusing on his
real goal of getting back home to his wife.
Spielberg uses images of farmland and fields of
flowers to underscore the loss of innocence; sheep
are seen running through meadows, and carcasses of
dead cattle are used as hiding posts. In one powerful
piece of footage, Miller and his company head out
to start the hunt for Ryan, and are filmed marching
over the crest of a hill. The scene evokes a feeling
not unlike the Pied Piper leading the children out
of Hamlin. It also brings to mind the famous memorial
of the fl ag being raised at Iwo Jima.
Another trick Spielberg uses to keep our interest
is his recurring shots of Captain Miller's shaking
hand. It's that same hand that becomes steady at
the end of the story to bring the film to an amazing
climax. As he has done so many times before, Spielberg
gives us striking images, without distracting us
from the heart of the tale. And the heart of this
tale is the moral dilemma of a man versus his own
humanity.
'Schindler's List' - What profit a man if he loses
his soul
From the poignant opening image of a man lighting
candles, to the affecting ending, Schindler's List
is destined to become a cinematic classic. The film
is shot primarily in black and white, which lends
it an artistic, yet starkly dramatic feel.
The story focuses on Oskar Schindler, a German businessman
who capitalizes on Poland's Nazi occupation by hiring
Jews as low-wage workers in his cookware factory.
The action takes place in Krakow in 1939, and follows
the growing horror of the Holocaust.
Schindler is not a likeable character; he is a user
who sees an opportunity to get a good deal of work
for free, and his business thrives in the early days
of the occupation. His accountant, Itzhak Stern,
begins to recruit more and more displaced Jews of
varying skill levels. Schindler, played brilliantly
by Liam Neeson, reluctantly agrees to this arrangement,
concerned about reprisals from the Nazis.
As
time goes by, Schindler is faced with the realization
that the Jews he has employed are not just being "relocated." He
witnesses some frightening acts of execution, and
begins to grow a conscience. This man, realizing
the enormity of the situation, slowly discovers his
humanity and does his part to affect history. Schindler
becomes an unlikely hero, using his factory as a
refuge for over 1000 Jews.
It is first startling, then devastating to witness
the killings shown in this film. While not as graphically
intense as 'Ryan,' 'Schindler's List' depicts each
situation with tense emotional impact. Filmed in
the manner of a documentary, Nazis overrun neighborhoods
and ransack apartment buildings. Families are torn
apart, neighbors hide in the tiniest of crawl spaces,
children become soldiers. People are shipped on crowded
freight trains to their next destination. Camps overflow
with suffering humanity. Men and women alike are
executed for no reason other than their heritage.
And in the midst of all of this, Spielberg commands
his cameras to explore the lives of Schindler, Stern,
and a ranking Nazi officer named Amon Goeth. It is
a stunning undertaking, leaving us breathless. Effective
close-ups reel us into the raw emotion of these individuals
as we try to understand their motivations and watch
their evolution.
The film is a masterpiece of subtlety. No fantastic
special effects are needed to depict the suffering
and destruction Spielberg shows us. Understatement
and restraint are used throughout the three-hour
run time, building to an emotionally crushing ending.
Modern Movies - Troubled History
Steven Spielberg is a master at making us aware of
our surrou ndings, having us think about the consequences
for our actions once we have chosen our path. He
uses the camera as a mirror reflecting society
back at us, and it isn't always what we want to
see.
"Saving Private Ryan" showed
us the oft-forgotten veteran, and the hell of fighting
battles - battles for country and for one's self.
There will always be wars, and someone will always
lose. The trick is not to lose your sense of self
along the way. The film is distressing, but maintains
an almost uplifting message of solidarity and persistence
of human spirit.
"Schindler's List," on
the other hand, is a disturbing, haunting view
of one of the most incomprehensible acts in history;
an act that we still can't understand, forgive,
or, sadly, stop. We can only hope that someday
the reflections from Spielberg's societal mirror
won't have to be quite so chilling.