I have been following Jawad's website on
Steven
Spielberg for several months and have found it a
very useful source of up-to-date information on Spielberg's
films and
TV shows. I appreciate Jawad's great enthusiasm
for Spielberg's work and his determination to keep
the public posted on the developments in Spielberg's
career.
I
had great fun writing my book "Steven Spielberg:
A Biography," which was first published in hardcover
by Simon & Schuster in 1997 and has just been
published in trade paperback by Da Capo Press. For
three years I followed Spielberg's progression from
childhood to maturity, visiting all the places where
he grew up and interviewing his boyhood friends,
neighbors, and classmates, and teachers from Ohio,
New Jersey, Arizona, and California, as well as interviewing
many people who have worked with him throughout his
film and television career in Hollywood. In all,
I interviewed 327 people, including Spielberg's father,
Arnold, who had rarely spoken publicly about his
son before this. I learned from my research that
contrary to Steven's earlier claims that his father
did nothing to help his film career, Arnold was a
full partner with Steven in his amateur filmmaking
endeavors, which were a father-son hobby during several
of Steven's formative years. Interviewing dozens
of people who worked on Spielberg's amateur films
was perhaps the most fascinating part of my work
on this book. They had been waiting decades for someone
to come along and ask them to tell this largely untold
story.
The
theme of my book, broadly speaking, is how discovering
moviemaking "made a mensch" out of Steven
Spielberg, as his rabbi from boyhood put it to me.
This is the story of how a bright, nerdy, outcast
kid from a troubled family found a way of channeling
his anger, need for attention, and need for social
approval into a creative outlet. By making his amateur
films, he become a personage in his neighborhoods
and schools, neutralizing and converting the bullies
and other kids who otherwise would have shunned him.
Steven's conflicted feelings about his Jewish heritage
and the anti-Semitism he endured while growing up
made him a more empathetic person and helped lead
him eventually to embrace and pay witness to his
background in "Schindler's List."
I
think everyone who visits Jawad's site and shares
his and my enthusiasm for Spielberg's work will
find this book full of insights into how Spielberg's
creative personality developed from childhood to
the personal epiphany of "Schindler's List." I also
hope that anyone who does not take Spielberg's work
seriously, or continues to underrate him as a facile
entertainer incapable of dealing with "serious,
mature, adult" issues, will be challenged by
this book's view that Spielberg has been making serious,
mature, adult films since the beginning of his professional
career with "Amblin'" and "Duel"
Rather than wait twenty years for a critical consensus
to form on Spielberg, I thought it was valuable to
write this biography now when he is in the prime
of his life and career and when almost everyone is
still around to talk about him. I hope that by doing
the book I have contributed to a deeper public understanding
of the greatest filmmaker working in America today.